In Kerstin Barndt’s article
"Working through Ruins: Berlin's Neues Museum”,
three points in time are outlined as the major turning points or stepping
stones in the museum history that bind it with the concept of “ruins
discourse”. These three key points are as follows.
1. The
original opening of the Neues Museum. Upon its original opening the museum
housed an array of artifacts from a multitude of civilizations and time
periods, and the Neues Museum quickly began to outshine the Altes Museum.
2. The
building itself suffered devastating wounds during World War II, many ceilings
were collapsing, pillars were shattered and the outside walls still bear the
scars of a large number of bullet holes. When the restoration process finally
began after reunification in 1997 and took place over the course of 12 years,
and was completed in 2009. In the beginning of this restoration many figures and
statues suffered severe damage, missing limbs, broken pieces, or were destroyed
altogether.
3. The final
moment recognized by Barndt is the exhibition that took place in 2010 in the
buildings Greek Courtyard, in which 12 statues were discovered in the ruins of
the Neues.
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